I made this drawing of the Virgin of Guadalupe for a class project, the image was to hang on the wall of a Mexican resturant. The backgrounds were created in Maya with my painting maped on a frame. Here is a little history og the Virgin.
The Nican mopohua is considered to be the "primordial account" of the apparition because it is written in the indigenous Nahuatl language. It describes the 1531 meeting between La Virgen and Saint Juan Diego on Tepeyac.
In the Nican mopohua, "it had been ten years since [...] Mexico had been conquered" when a man baptized with the Christian name Juan Diego. On the chilly morning of December 9, 1531, Juan Diego crossed the barren hill called Tepeyac to attend Mass. He was brought to a sudden halt by a blinding light and the sound of heavenly music. Before him appeared an astounding vision--a beautiful dark-skinned woman who, calling the Indian "my son", declared herself to be the Virgin Mary, the mother of Jesus Christ. She told Juan Diego it was her desire to have a church built on Tepeyac hill, and asked him to relay that message to Bishop Juan de Zumarraga.It was no easy task for the humble Indian to be granted an audience with the top prelate, but the persistent Juan Diego was finally admitted. The incredulous Bishop demanded that he be provided with some proof of the unlikely encounter. Confused and fearful, Juan Diego avoided Tepeyac for several days, but on December 12, while rushing to find a priest to attend a seriously ill uncle, he took a short cut across the hill. The Virgin once again appeared and Juan Diego told her of the Bishop's request. The Virgin instructed him to pick roses from the usually barren and desolate hill and deliver them to Zumarraga as the sign. Juan Diego gathered up the miraculous blossoms in his mantle and hurried off to complete his mission. Once again before the Bishop, he let the roses spill out before him. To the wonder of all assembled, a perfect image of La Virgen of Guadalupe was revealed emblazoned on Juan Diego's cloak.Juan Diego's mantle, carefully preserved in the new Basilica, has been subjected to extensive analysis over the years. Experts have authenticated the fabric as dating to the 16th century, but have been unable to determine the type of pigment from which the image was rendered. It seems doubtful that in the Colonial era in Mexico human hands were capable of creating a portrait of its exquisite nature. It is even doubtful it can be done in Mexico today. Most wonderous of all, after 465 years, the image of the Virgen de Guadalupe remains clearly imprinted on the miraculous cloak without visible signs of deterioration.
